Dear Music Lovers,


listening-photoHappy 2016 Everyone!  I hope your list is as long and hopeful as mine about putting new challenges and adventures into my path.  I am excited about my new compositions and hoping the sequel to Circle will come fiercely and fearlessly!  In the meantime, please continue to enjoy this installation of Circle for you to become better acquainted to my spin on music.  Listen, share, join the email list, leave a comment, and if you’re feeling really wild and crazy, buy the music!

Circle in a Square was an amazing opportunity to gather my favorite musicians and producer and stage each of these 12 original songs in the best light we could see. Always, inspiration happens in a moment, and if you are lucky to capture it, to bottle it, well, you’ve got something that remains alive and vibrant for a long time. I think the community and love that it took to make this recording is what I am most proud of. I hope the songs take you on a storied ride and you are able to hear all the nuances that we so carefully dotted in and around with as light and unaffected a touch as we could manage.

Happy Listening, may your ears be open to new textures, notes and words, and your mind be unencumbered to just let it in.


Now here’s what the reviewers said:

Lauren Kinhan’s Circle in a Square is a Tour de Force.
-Jazz Journal

4 Stars! Kinhan executes the most intricate of passages flawlessly, whether jumping octaves at high speed or romping through the bebop changes. “The Deep Within,” a tone poem of spiritual yearning, is a stunner.
-Allen Morrison, Downbeat Magazine

The next time someone tells you that modern music is soulless, does not “speak” to the human condition, refer them to “Circle In A Square.” Lauren Kinhan and her ensemble have created music that artfully and splendidly avoids labels such as jazz, pop or funk; this is music that connects on multiple levels with grace, fire and a mature understanding of how one navigates through the shifty terrain of modern life. Dig deeply! As attractive as this music is on initial listening (Elliot Schneiner’s production and engineering makes each instrument stand out without hiding the vocal), it’s the strength of the songs and the vocals that makes the deepest impression. Ms. Kinhan’s emotional delivery, her ability to bend a note to make a word sustain, and the poetry in much of the program is a joy to return to time and again. And, she can swing!
– Richard Kamins, Step Tempest

Lauren Kinhan….is a tremendously gifted jazz singer. The added advantage of Kinhan’s individual releases is that they showcase her estimable songwriting dexterity…She opens with the free-floating title track, a joyous reconfirmation that music is the food of love….Kinhan has never shone brighter.
– Christopher Loudon, Jazz Times

I have a feeling that this recording might make some people’s top ten lists when it comes to the end of the year.
– Randy McElligott, CHUO Radio, Ottawa

There are layers of texture, organic bits of lyrical wonder that magically fuse together to make a contemporary mosaic of harmonic wonder that sets a new standard for improvisational vocalists everywhere. The sorority of female vocalists is a tightly clustered pack with Lauren Kinhan making a bold new statement that bodes well for the future. Nothing to grind on here, it simply does not get much better than this. 5 Stars!
– Brent Black, Bop-N-Jazz, Blog

Lauren Kinhan has an album that arouses my memories of those early stereo days. The artwork clearly sets the atmosphere. Early sixties. Hi-Fidelity. Her luscious, velvet voice is a good place to rest your weary head. I don’t listen to a lot of vocal jazz, but I keep coming back to this one. The band behind her is brilliant…. The melody and narrative are all on stage. You need to keep coming back to this to get the whole point of jazz. Lauren Kinhan is someone to come back to.
– Ken Blanchard, JazznotesSDP, Blog

Lauren Kinhan steps out for her third solo outing with a load of first call big apple jazzbos in tow. Amazingly enough, this set sounds familiar but sounds like nothing you’ve heard before. Working without limitations, she pursues her muse at several levels giving us a nu kind of jazz thrush without the tortured artist effect on board. A solidly swinging set that’s in the pocket throughout, this is a powerful outing that never fails to connect. Hot stuff.
– Chris Specter, Midwest Record

Circle In A Square is an impressive album, which captures this singer and composer in the prime of her musical career.
-Be Bop Spoken Here (Review by Debra Milne)

4 Stars! Kinhan’s third album release shows her as a vocal tour de force; her songwriting abilities are here also given the limelight, with all the tracks written or co-written by her. These twisting, unpredictable tunes seem to offer up more on each repeat listen, with Kinhan’s supple voice running at full pelt through a broad musical palette. She’s a fan of Joni Mitchell and Mitchell’s influence can be heard in the effortless slides between octaves. Pinpoint vocal precision is complemented well by Randy Brecker guesting on trumpet in the title track.
– Sally Evans-Darby, Jazz Journal

Kinhan shows off vocal prowess in Circle in a Square. It allows her to show off not only her voice, but also her writing skills. She gets lead billing on 10 of the 12 songs and shares the writing role on the other two. The songs include post-modern pieces such as the title track, a slightly brooding “Another Hill to Climb” and the clever “Bear Walk,” a jazz telling of the Three Bears story. Whatever the direction, the songs all let her show off a voice that can spring into the upper register, do some scat a bit or handle lovely lyrics.
– Bob Karlovits, The Tribune

The opening tune is the title piece and is such a perfectly constructed piece with a jazz-pop sensibility, it might be the contemporary missing link of what Frank Sinatra was in the 1940s and ’50s.’ Kinhan does not belabor the piece with duplicates throughout Circle. Instead, she proceeds through the late-night feel of “Another Hill to Climb” and slick R&B flavored “I’m Looking for That Number.” “Pocketful of Harlem” is edgy and modern, instrumentally a showcase for Kinhan’s solid alto chimes. This singer’s solo recordings stand in fine and forward-thinking contrast to her durable work with New York Voices.
– C Michael Bailey,

Circle in a Square is Kinhan’s best album to date, and a brilliant realization of her diverse musical world…. the music incorporates swing, bebop, rumba, chanson, R&B, soul, funk and pop. But the number of elements is less striking than the way Kinhan mixes them into her own style.
– Thomas Cunniffe, Jazz History Online, Concert Review

Circle In A Square is excellent and a lesson in contemporary singing, composing and lyrics.
– Don Albert, Art Spoken

It’s modern contemporary jazz song smithing of the highest order. And her singing has the marvelous nuance that makes her formidable. It’s more than a keeper; it’s a killer in what it does to/for you!
– Greggo Applegate Edwards, Gapplegate Music Review

There’s nothing affected or “elliptical” about her approach; she embodies the voice of New York, swinging for the fences with satisfying affability.
– Jordan Richardson on May 12, 2014, Canadian Audiofile

Her full-bodied & sultry approach to jazz vocalization will enchant you in the immediate. I give Lauren & friends a MOST HIGHLY RECOMMENDED, with a full-blown 5.00 “EQ” (energy quotient) rating. That means it also gets the “PICK” of this issue for “best vocal jazz”.
-Dick Metcalf, Improvijazzation Nation Magazine, May, 2014